The world of British horror cinema is about to get a much-needed revival with the release of The House of Hammer Vol. 1, a comprehensive box set that delves into the golden age of Hammer Films and beyond. This collection is a true labor of love for horror enthusiasts and film buffs alike, offering a deep dive into the heritage and influence of British horror.
Unveiling the Hammer Legacy
Hammer Films, a name synonymous with British horror, is making a bold comeback with this ambitious project. The set aims to celebrate the studio's golden age and reintroduce its iconic brand to a new generation of viewers. With a focus on lesser-known non-horror titles and a spotlight on Hammer-adjacent horror movies, it's clear that Hammer is leaving no stone unturned in its quest to reclaim its place in the public consciousness.
A Curated Journey
The House of Hammer Vol. 1 is more than just a collection of films; it's a carefully curated journey through the history of British horror. The first disc, Masques, Monsters, and Madmen, is a feature-length documentary that explores the American International Pictures (AIP) studio and its connection to Hammer. It features insightful interviews with experts like author Jonathan Rigby and filmmaker Chris Alexander, who delve into the studio's output and influence. This documentary is a fascinating look at the collaboration between Hammer and AIP, despite the fact that Vincent Price, a Hammer stalwart, never appeared in a Hammer film.
Beyond the Obvious
One of the standout features of this collection is its ability to go beyond the obvious. Off the Leash, for example, takes a deep dive into the career of Michael Gough, an actor who, despite his reservations about horror, found himself in several such films. The Land Demands Blood explores how Cornwall has been used as a setting by Hammer and contemporary filmmakers, offering a unique perspective on the influence of location in horror cinema. Even the inclusion of a short film, Ticket to Happiness, from 1959, adds a layer of depth to the collection, connecting it to Hammer's later works.
Censorship and Special Effects
The second disc continues to impress with Deep Cuts, a feature-length documentary on censorship in the US and UK. It's a fascinating exploration of how and why boundaries shifted during the '60s and '70s, offering a fresh perspective on a topic often glossed over in similar films. Making Monsters, an interview with special effects duo Dave and Lou Elsey, provides an insightful look at the craft behind the horror, while Symphonies of Shudders delves into the history of film music with a focus on Hammer composer James Bernard.
A Mixed Bag, But a Promising Start
While The House of Hammer Vol. 1 is an impressive collection, it does feel somewhat disjointed at times. The inclusion of Christopher Lee, Peter Cushing, and Vincent Price on the artwork, despite only Price's heavy presence in the content, is a bit misleading. However, with the promise of future volumes, this collection has the potential to become a more cohesive and comprehensive look at British horror. Despite its minor flaws, the set delivers excellent value for fans and collectors, especially when compared to similar releases.
Final Thoughts
The House of Hammer Vol. 1 is a must-have for any horror enthusiast or film connoisseur. It's a well-curated, informative, and entertaining collection that offers a unique perspective on British horror. With future volumes on the horizon, this set is a promising start to a journey through the rich history of Hammer Films and its impact on cinema.
